Why shouldn't filing be fun? These utilitarian folders bring wit, color, and honesty to organization.
Whether you specify your files for "useless documents" or to hide from a "nosy individual," be bold and call papers what they really are.
?A quintessential staple for home and office organization
?Includes space for interior notation
?6 letter-sized folders per package, 2 of each style
Why shouldn?t filing be fun? These utilitarian folders add wit, color, and honesty to organization. Included for free are useful checkboxes and space for both interior and exterior notation. Go forth and file!
List Price: $ 10.50
Price: $ 7.70
Reciprotools RCT-A10 Reciprocating Saw Adapter
Quick Tool change capabilities
Allows you to rotate the tool in six different positions
Compact design eliminates excess reciprocating mass
Tested and proven tough & durable
Engineered and tested in the USA
Sold as each. The Reciprotools adapter fits all name brand reciprocating saws. Chuck it in like a blade and choose the tool of your choice. The adapters double tang design allows user to apply pressure up, down and in a circular motion. The 1/4" hex gives you the option to quickly change your tool or turn the tool in six different configurations for versatility. Use with other Reciprotool attachments. Manufacturer's number: RCT-A10. Country of origin: United States. Distributed by Ace Trading.
Perfectly Prep: Gender Extremes at a New England Prep School
Although New England boarding schools have been educating America's elite for four generations, they, along with their privileged students, rarely have been the subject of study. Living in a senior boys' dorm at a co-ed school, Sarah Chase was able to witness the inner workings of student culture and the dynamics of their peer groups. In an environment of ivy-covered buildings, institutional goals of excellence and aspirations to Ivy League colleges, the boys and girls acted extremely masculine or feminine. While girls typically worked themselves into a state of sleep deprivation and despair during exam period, the boys remained seemingly unconcerned and relaxed. As much as the girls felt pressure to be "cute" and "perfect," the boys felt pressure to be "bad ass" and the "best at everything." Tellingly, the boys thought that "it would suck" to be a girl, while over one third of the girls wanted to be male if given the chance. From her vantage point of sitting in the back of the football and field hockey buses, attending prom and senior pranks, and listening to how students described their academic and social pressures, competition, rumors, backstabbing, sex, and partying, Chase discovered that these boys and girls shared similar values, needs and desires despite their highly gendered behavior. The large class, ethnic and individual differences in how the students perform their genders reveal the importance of culture in development and the power of individual agency. This book examines the price of privilege and uncovers how student culture reflects and perpetuates society and institutional power structures and gender ideologies.
Academy Award® nominees Annette Bening and Julianne Moore star in this funny, smart and vibrant portrait of a modern American family. Nic (Bening) and Jules (Moore) are your average suburban couple raising their two teens, Joni (Mia Wasikowska) and Laser (Josh Hutcherson), in Southern California. But when the kids secretly track down their “donor dad,†Paul (Mark Ruffalo), an unexpected new chapter begins for everyone as family ties are defined, re-defined and then re-re-defined. Fall in love with the big-hearted comedy that critics are calling “one of the best films of the year!†(Michael Phillips, At the Movies)If the relationships that anchor Lisa Cholodenko's warmly funny films appear unconventional, their problems--their pleasures--remain universal. In
The Kids Are All Right
(no relation to the Who documentary), she takes on a suburban Los Angeles family with two teens, Joni (Alice in Wonderland's Mia Wasikowska) and the unfortunately named Laser (Josh Hutcherson, The Bridge to Terabithia), and two mothers, Nic (Annette Bening) and Jules (an atypically relaxed Julianne Moore), who conceived via artificial insemination. Now that she's heading off to college, Laser urges 18-year-old Joni to seek out their birth father, who lives in the area (her name comes from folksinger Mitchell). Though she hits it off with Paul (Mark Ruffalo, effortlessly charming), a motorcycle-riding restaurant owner, Laser has his doubts (troublingly, the 15-year-old's best friend uses "faggot" as an all-purpose epithet). After they introduce Paul to their parents, allegiances start to shift. While Nic, a doctor, serves as breadwinner (and disciplinarian), Jules, a homemaker-turned-landscape artist, provides the nurturing. Paul, on the other hand, lives free from attachments, inciting both curiosity and suspicion. Furthermore, Jules finds him strangely irresistible, which only expands the fissures in her loving, yet unstable union. As with Laurel Canyon, Cholodenko doesn't just create fully rounded characters, but entire communities. In the end, Kids isn't about children vs. adults as much as the family unit vs. the singular outsider. Though the story concludes on a relatively happy note, it's clear where her allegiances lie. --Kathleen C. Fennessy
